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Rome Symphony Orchestra

Integral Part of the Arts Community

One hundred three years later, the Rome Symphony remains an integral part of the arts community of Rome and Northwest Georgia.

Corporate mergers are the way of the business world nowadays, but a different kind of merger resulted in the creation of the Rome Symphony Orchestra more than a century ago. In 1921, Edith Lester Harbin’s Junior Orchestra in Georgia combined efforts with Paul Nixon’s Orchestral Band of Lindale, and the Rome Symphony Orchestra was born. As the orchestra began to take firm root in the community, members of the Shorter College music faculty and students joined the group.
One hundred three years later, the Rome Symphony remains an integral part of the arts community of Rome and Northwest Georgia.
Retired Rome City Schools Superintendent Dr. Gayland Cooper is currently president of the Symphony Board of Directors. The goal is for the symphony to bring six performances to the community during each program year. “People think they have to go to Atlanta or Chattanooga or New York to hear wonderful, refined music,” Cooper said. “Rome has got a beautiful program with professional musicians, we just need for folks to come out.”

The symphony averages between 400 and 450 attendees at any event. The symphonic circus this past summer on the campus at Georgia Highlands College drew a significantly larger crowd. Maestro Jeffrey Dokken said he hopes to increase average attendance by 50 to 100 people a year and believes it is not out of the question to get to the point where the lower bowl of the City Auditorium is sold out for concerts. That would be between 700 and 800 people.

The symphony has been under Maestro Dokken’s baton since 2017. Dokken, who lives in the metropolitan Washington, D.C. community, also serves as conductor of the Symphony Orchestra of Northern Virginia. As a vocalist, Dokken is in high demand across the country and around the world.

He was performing a Magic of Music series with a magician friend when he was initially approached about serving as a guest conductor for the Rome Symphony. That soon led to an expanded role in conducting the orchestra before he agreed to become the full-time conductor. “The opportunity to get to work with a symphony that has such a history as Rome has it not lost on me,” Dokken said. “It has got such a wonderful reputation both regionally and nationally as the oldest professional symphony in the South.”

The conductor must continually push the envelope, trying to be creative and ensuring the audience wants to be at every concert. “Even losing 100 audience members can hurt us financially and artistically.” Choosing the music for each series is one of Dokken’s primary responsibilities. He tries to include at least one strictly classical and a holiday concert each season. “From there I think, what do I want to achieve with the music this year,” Dokken said. “Am I trying to broaden our audience’s musical horizons? Am I trying to bring in more audience members? Am I trying to appeal to classical music lovers? I never do it on a concert-by-concert basis.” His main objective is to try to get more people in the door. “If you can get them in the door once, they will come back,” Dokken said.

The orchestra consists of between 30 and 60 musicians, depending on the nature of the performance. Maestro Dokken said the most prominent variation is in the string section. The professional musicians are from Northwest Georgia, Northeast Alabama, and Southeast Tennessee—a good number of them hail from the local colleges. Not only are the musicians paid wages for rehearsals and shows, but they also receive travel pay. Any time there are vacancies, blind auditions are held to fill the needed positions.

Cooper underscored the opportunity to purchase season passes for the Rome Symphony at a fraction of what it might cost to hear similar concerts in major metropolitan markets. He also encourages people to take advantage of a tax deduction for contributions to the symphony.

The orchestra’s Play On! campaign hopes to enhance the Rome Symphony Youth Orchestra and provide funding for the symphony’s annual Young Artists Competition. It’s all part of a concerted (pun intended) effort to introduce younger Romans to classical music.
The Rome Symphony 2024-2025 season opens October 12 with Natural Woman: A Tribute to Carole King followed by The Magic of Mozart on November 16; The Strings of Christmas on December 1; An Evening on Broadway, February 15; Pirates of Penzance with the Rome Shakespeare Festival, April 18 & 19; concluding with Bridgerton: Music in the Garden on the Darlington campus June 7, 2025.

For ticket information call 706-291-7967.
Additional information about the symphony is available at www.romesymphony.org.